Hiné Mizushima's soft, fiber sculptures take a playful approach to natural life, adorning creatures with beads and crocheted detail.
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John Pai transforms a material we typically associate with heavy-duty construction into intimate works that appear as if they could float on air.
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Fascinated by 19th- and 20th-century innovations, Peralta dismantles and painstakingly reassembles each item piece by piece.
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"I've always enjoyed themes revolving around melancholy, the female figure, and species found in nature," the artist says.
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In "Murmuring Minds," DRIFT utilizes the swarming patterns of birds, bees, and other social organisms to create an interactive installation that responds to human movement.
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A new body of work explores how abstract forms can translate the myriad textures and compositions of the natural world.
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Vintage, mass-produced porcelain knick-knacks take on new life in uncanny and intricate hybrids.
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For Thomas Trum, the methods artists use to apply a medium to a substrate is as much a source of fascination as the finished work.
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"Like clouds, the shapes of our galaxy’s glittery nebulae are sometimes in the eye of the beholder. They can look like all sorts of animals: tarantulas, crabs, a running chicken, and now, a cosmic koi swimming through space." — Laura Baisas, PopSci.com, 13 June 2024
Did you know?
The history of nebula belongs not to the mists of time but to the mists of Latin: in that language nebula means "mist" or "cloud." In its earliest English uses in the 1600s, nebula was chiefly a medical term that could refer either to a cloudy formation in urine or to a cloudy speck or film on the eye. Nebula was first applied to great interstellar clouds of gas and dust in the early 1700s. The adjective nebulous comes from the same Latin root as nebula, and it is considerably older, being first used as a synonym of cloudy or foggy as early as the 1300s. Like nebula, this adjective was not used in an astronomical sense until centuries later.