The artist considers how organic imperfections are often ultimately a lot more interesting than anything made "perfectly" in a factory.
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"I see my practice as a playground of soft contradictions—between seriousness and silliness, desire and failure, monumentality and deflation," Rong says.
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An unassuming cacao tree in Indonesia connects to a data-sensitive artwork in China.
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Across 40 countries, 'The Contemporary Garden' showcases one of humanity's perennial fascinations.
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Currently based in London, Ruiz draws upon her childhood experiences in Caracas, Venezuela, and her relationship with the natural world.
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Journalist and curator Ekow Eshun illuminates links between the climate crisis, land, colonization, diasporas, and social and environmental justice.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article A Multifaceted Book and Exhibition, ‘Black Earth Rising’ Contends with Colonialism, Land, and Climate appeared first on Colossal.
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"Shell art isn't a new genre; it's been with us for centuries. The Victorians often framed their family photos with shells. ... The medium also came to the fore in the 1970s when everything was embellished with shells, from photo frames and mirrors to trinket boxes and even furniture." — Stephen Crafti, The Sydney Morning Herald, 4 June 2025
Did you know?
Embellish came to English, by way of Anglo-French, from the Latin word bellus, meaning "beautiful." It's in good company: modern language is adorned with bellus descendants. Examples include such classics as beauty, belle, and beau. And the beauty of bellus reaches beyond English: its influence is seen in the French bel, a word meaning "beautiful" that is directly related to the English embellish. And in Spanish, bellus is evidenced in the word bello, also meaning "beautiful."